Many of the art journaling spreads I have done so far have been inspired by prompts and tutorials from the various classes I have taken and from the wonderful creative team over at Get Messy. One of the suggestions in the Initiation art journaling class I am taking with Juliana Coles is to choose a piece by another artist and use it as inspiration to springboard into your own work.
I chose a wonderful piece by Ines Seidel which I found in A World of Artist Journal Pages by Dawn Devries Sokol. I am including a glimpse of it below to show some of the things that inspired me but also to show just how far my piece had travelled by the time it reached the end of the process.
I loved so many things about this page: the simplicity of the colour scheme, the white empty spaces, the way ordinary objects – such as the houses in the landscape – became surreal when placed on top of the woman’s head. I loved the way the scribbled writing was used as part of the landscape and also surrounding the woman, perhaps like a cloud of thoughts. And I loved the way the text was included sideways, like smoke coming out of the chimneys of the houses.
I wasn’t sure how I wanted to change the process to create my own page. I decided to choose one of the elements to start with and let that lead me onwards with my own sense of what should come next. I set about finding some phrases from Particles, Jottings, Sparks, my book of Rabindranath Tagore poetry, which I bought specially for use in this course. Once I had a bunch of phrases I liked, I rearranged a few of them to create a new poem:
This was the key that gave me a feel for creating my own spread. I decided I would echo Seidel’s use of the landscape but make the sky part much more prominent. It had to be BLUE! I made a simple pencil sketch of a figure walking (the unknown friend) over some rolling hills. Before I painted it blue, I felt drawn to add strips of all the blue washi tape that I have:
I painted the sky, blending together a few different shades of blue, and went over my pencil lines with a black Uniball pen:
I loved Seidel’s use of the scribbled writing and thought this would be the perfect cloud of “dust”, preventing the figure from seeing the blueness of the sky:
Even though I was drawn to Seidel’s use of white empty space, I found myself unable to leave all that white space in my own piece. The landscape felt too bare for me. So I stuck down bits of masking tape to create some texture and painted the area white. But it was STILL too bare for me. So I smudged in some grey paint as well. That felt much better!
Then the white bit in the middle (the rolling hills) started bugging me. So I wrote in pencil some of the words from the poem, adjusting the letters to fill each of the spaces. I smudged the pencil with my finger:
I had had the text ready and waiting to insert into the piece, but each time I wanted to put it in there, it seemed there was something else I needed to do first! (all the steps I just described). At last it was time to put the text into the piece. I placed some in the sky and some on the land. Ah… the piece felt complete!
This was SUCH a wonderful exercise. It showed me how each piece of art that I see can become a source of inspiration, something I can learn from. It also showed me that even if you include all sorts of things from another person’s page (and I included several!), if you follow your own impulses and sense of what you want to create in your own page, you aren’t going to end up with a copy of someone else’s work.
I’ve often looked through all sorts of amazing art in books and online and thought “Darn: how do they do that?” I feel excited that there is a way to be inspired, to try out different things, and to keep learning from all the wonderful artists there are in the world. Thank you for inspiring me, Ines Seidel! And thank you for your beautiful words, Rabindranath Tagore!
Taking in its hands
The flute of the Known,
The Unknown plays
Its manifold sounds.
– Rabindranath Tagore, ‘Sparks’