What are you dreaming about? (part 1)

The Season of Connections has just started this week over at Get Messy! This set of pages is about the connection to my inner world. It is also the last page in my first ever art journal. I thought it would take no time at all to complete just one more page but I should have known the last one would be the most involved!

Here is a short video, showing how the two sides of this spread open out to reveal four female figures on the page beneath:

When I saw the folder at the back of the Moleskine journal, I thought it was the perfect chance to create a flap, inspired by a wonderful tutorial from @diekleineriet . I’m also at the point in the Metamorph class with Erin Faith Allen where we are looking at ‘The Holy Within’. I immediately thought of medieval triptych art (which sent me off into a frenzy of gold ink!) Add to the mix the ‘Initiation into the sacred feminine’ year-long training I have been so enjoying at EarthHeart in The Forest of Dean, and I had a pretty powerful mix of influences going into the creation of this page. You can see a wonderful diagram of the cycles of the Wombdala on EarthHeart UK’s instagram page.

During the Initiation training, we have been looking at the cycle of the seasons, phases of the moon, and the phases of a woman’s life cycle. I had always heard of the three stages of a woman’s life – maiden, mother, crone. In this map, however, along with the four seasons, there are four stages of a woman’s life: maiden, creatress, high-priestess, and crone. I love it that the later phases of a woman’s life are given more space here. I wanted to reflect these stages of life in my triptych. I added an extra flap so that the traditional three panels could become four.

As I was working on these four female figures, I chose colours that reflected the mood and energy of each phase of life. I thought about what has been important to me along my journey through life so far, and imagined what might be important to me as I move forwards on my journey. I included a symbol at the centre of each figure to represent the dreams and longings of each chapter of life.

It was only afterwards that I realised I hadn’t written the word love anywhere. Surely this is something important! And then I realised that perhaps each of these qualities is a facet or expression of love.

I have loved working in this art journal. We have been on quite a journey together, I am sad to reach the end! A big thank you to my friends at Get Messy for being the most incredible bunch of artists I could ever hope to meet. Onwards to the next journal!

But before I move on, I’d love to show you the pages of my completed art journal. I hope you’ll join me for part 2 of this post where I will include a video flip-through of the whole thing!

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The Wheel of Time

‘Don’t prick your finger on the Wheel of Time’ – my first page for The Season of Fairy Tales, inspired by Sleeping Beauty.

I was so excited when I heard about this particular season at Get Messy Art Journal. I have always loved fairy tales and imagined I could easily spend a year diving into the treasure chest of these beloved stories. But when the day came, I found I didn’t know where to start. There is so much I want to explore and this made it even more challenging to begin.

Inspiration came to me while I was enjoying a cup of ‘Women’s Energy Tea’ with some friends. The messages attached to each tea bag reminded me of the blessings given to Sleeping Beauty at her christening:

In the Grimms tale, the king invites ‘wise women’ to the party. (Perhaps Disney is responsible for turning them into fairies?) In my rewrite, these women are not divided into good and evil. Instead, they have a depth of beauty and power which they wield unapologetically.

Magazine images are not usually my first point of call when I’m working on an art journal page. With a subject such as fairy tales, however, I suddenly realised how almost every magazine image draws upon our associations with these magical stories. The opulent gowns and jewels are straight out of Cinderella’s ball. The women are often portrayed archetypally as innocent maidens or sultry seductresses with magical powers.

As I was working on the page, I kept thinking about time. In the tale, time works as a kind of antagonist. It cannot be slowed or stopped; Beauty cannot be prevented from turning 13 and pricking her finger. Neither can it be made to go faster; the hundred years of sleep will certainly be a long, long time.

It occurred to me that for us today the clock is a kind of spinning wheel. We prick our fingers many times a day and fall into all sorts of ‘slumbers’ because of our reactions to time. So many of our struggles are ‘against the clock’, rushing to squeeze more hours into the day, or even more impossibly, trying to prevent our own aging processes (back to many of the adverts in magazines – “try this new product! It will work like magic and prevent you from getting old!”)

I came full circle to the advice on my tea bags. We need these little blessings! Especially the one at the bottom of the page:

I love how these little messages point to an inner experience and enjoyment of life – a realm in which the spinning wheel of time has no dominion. I might just go and brew a cup of ‘Women’s Energy Tea’ right now. I wonder what message is waiting for me today?

Wishing you all a lovely weekend!

The Season of Colour

Last week saw the end of the amazing Season of Colour over at Get Messy Art Journal. Each week, there were wonderful prompts and tutorials exploring colour from all sorts of different angles. Here is my collection of colourful pages from the last six weeks.

I love working with colour, especially bright colour. So I was curious to see what a whole season devoted to this subject would unleash! I found myself going even further, giving myself permission to saturate the page.

After a short while, I felt I was floating in a universe of colour, much like the faces and figures in these pages:

It’s interesting how the figures in the last two pages are in exactly the same position. I had no idea of this until some time after the pages were complete.

After totally going for it with bright colour, I found I wanted to hang out in the cool and calm of a more muted spectrum.

This last page was especially cooling to make during the hot spell we were having!

I spent another few days at EarthHeart in the Forest of Dean, where I am participating in Initiation: Into the Sacred Feminine. The pieces I created when I returned from my time in the forest were filled with goddesses with amazing hair and women sprouting out of the ground like magical flowers.

Collage has always seemed a bit of a mysterious medium to me. This season I found I could get into it a little more, helped also by the Metamorph online art school classes I have been taking with Erin Faith Allen. Going over the top with colour somehow helped me to go over the top with collage, layering many pieces on top of each other, sanding then down, painting and scribbling over them.

This has been a season of many influences, and one of my favourite sources of inspiration has been the We Are All Artists – Creative Mindfulness Cards by Eleanor McComb. This is a wonderful deck of cards, each with a prompt for writing and art in the realms of mindfulness and creativity. The following pages were inspired by Card #6: Touch.

I have enjoyed this season tremendously and feel so lucky to have stumbled across the Get Messy art journaling community. It is truly wonderful to be a part of such a warm and welcoming community of fellow artists. The only consolation for the ending of this season is that there will be another one starting again next week! I wonder what it will be…?

A flip-thru of my art journal so far

So far, the pages of my art journal have appeared in this blog and elsewhere on the internet as single images. They look like standalone pieces when, in fact, they are all pages of a book. Each one follows on from the one before, forming a relationship, part of the same journey.

This is my first ever art journal and I’m excited to show it to you, even though it is not yet finished. I hope you will get a sense of the book-ness of it, how the art journal is simultaneously a question being asked, an answer being given, a journey, and a destination.

Books, historically, have been sacred. So it is by working in an intimate manner with a book that we develop a preciousness of self. There is a ritualistic aspect to opening  and closing a book: opening a book says I am here, I am ready to receive, and takes us into the world of unknowns where all sense of time disappears. Closing the book says I am ready to return to the known world.

Juliana Coles, Institute for Extreme Journalism

If you would like to have a longer look at any of the pages, feel free to pause the video or to browse through the images in a more leisurely fashion in the art journal section of the blog. Enjoy!

* * *

Music credits:
Deliberate Thought by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)
Source: http://incompetech.com/music/royalty-free/?keywords=deliberate+thought
Artist: http://incompetech.com/

Anatomy of an art journaling page

Many of the art journaling spreads I have done so far have been inspired by prompts and tutorials from the various classes I have taken and from the wonderful creative team over at Get Messy. One of the suggestions in the Initiation art journaling class I am taking with Juliana Coles is to choose a piece by another artist and use it as inspiration to springboard into your own work.

I chose a wonderful piece by Ines Seidel which I found in A World of Artist Journal Pages by Dawn Devries Sokol. I am including a glimpse of it below to show some of the things that inspired me but also to show just how far my piece had travelled by the time it reached the end of the process.

An art journaling piece by Ines Seidel from A World of Art Journaling Pages by Dawn Devries Sokol.

I loved so many things about this page: the simplicity of the colour scheme, the white empty spaces, the way ordinary objects – such as the houses in the landscape – became surreal when placed on top of the woman’s head. I loved the way the scribbled writing was used as part of the landscape and also surrounding the woman, perhaps like a cloud of thoughts. And I loved the way the text was included sideways, like smoke coming out of the chimneys of the houses.

I wasn’t sure how I wanted to change the process to create my own page. I decided to choose one of the elements to start with and let that lead me onwards with my own sense of what should come next. I set about finding some phrases from Particles, Jottings, Sparks, my book of Rabindranath Tagore poetry, which I bought specially for use in this course. Once I had a bunch of phrases I liked, I rearranged a few of them to create a new poem:

This was the key that gave me a feel for creating my own spread. I decided I would echo Seidel’s use of the landscape but make the sky part much more prominent. It had to be BLUE! I made a simple pencil sketch of a figure walking (the unknown friend) over some rolling hills. Before I painted it blue, I felt drawn to add strips of all the blue washi tape that I have:

I painted the sky, blending together a few different shades of blue, and went over my pencil lines with a black Uniball pen:

I loved Seidel’s use of the scribbled writing and thought this would be the perfect cloud of “dust”, preventing the figure from seeing the blueness of the sky:

Even though I was drawn to Seidel’s use of white empty space, I found myself unable to leave all that white space in my own piece. The landscape felt too bare for me. So I stuck down bits of masking tape to create some texture and painted the area white. But it was STILL too bare for me. So I smudged in some grey paint as well. That felt much better!

Then the white bit in the middle (the rolling hills) started bugging me. So I wrote in pencil some of the words from the poem, adjusting the letters to fill each of the spaces. I smudged the pencil with my finger:

I had had the text ready and waiting to insert into the piece, but each time I wanted to put it in there, it seemed there was something else I needed to do first! (all the steps I just described). At last it was time to put the text into the piece. I placed some in the sky and some on the land. Ah… the piece felt complete!

This was SUCH a wonderful exercise. It showed me how each piece of art that I see can become a source of inspiration, something I can learn from. It also showed me that even if you include all sorts of things from another person’s page (and I included several!), if you follow your own impulses and sense of what you want to create in your own page, you aren’t going to end up with a copy of someone else’s work.

I’ve often looked through all sorts of amazing art in books and online and thought “Darn: how do they do that?” I feel excited that there is a way to be inspired, to try out different things, and to keep learning from all the wonderful artists there are in the world. Thank you for inspiring me, Ines Seidel! And thank you for your beautiful words, Rabindranath Tagore!

Taking in its hands
The flute of the Known,
The Unknown plays
Its manifold sounds.

– Rabindranath Tagore, ‘Sparks’

 

The ancient ones

I’ve never been into browns, either in my wardrobe or in my art. But having recently returned from a wonderful few days at The EarthHeart Centre in The Forest of Dean, I became curious about all the earthy tones at the bottom of my paint box.

I decided to make a palette and discover what these colours actually look like. Having always lumped them together under the heading brown, I was amazed to find these shades so much more beautiful, rich, and varied than I had imagined.

A palette of earthy tones

I started to get inspired, imagining ancient artworks and prehistoric cave paintings, and decided to start as I often do: simply laying some paint down on the page. Where I would normally find myself moving in some sort of narrative direction, this time I felt inclined to play with textures, scraping one layer away to reveal another beneath the surface. The piece below reminds me of a cave wall, rich in mineral deposits, layer upon layer built up over millennia.

When I posted something of my new fascination on Instagram, I discovered yet another wonderful aspect of being part of the Get Messy art journaling community: my fellow artist – the talented and inspiring Misty Granade – also became intrigued by these earthy tones. She had the wonderful idea to turn this exploration into a theme. Pretty soon, we were enjoying a week of adventuring in prehistoric territory together. Check out the hashtags #neutralsweek and #homemadecavepainting to see what we got up to! 

Dancing to the moon

I continued with layered backgrounds, now adding pictures and making marks in the spirit of prehistoric cave paintings. I drew on an ancient treasure trove of images to express something both archetypal and deeply personal, something from aeons ago that is also part of my recent 21st century experience. Dancing to the moon shows a group of women dancing together – a scene that took place, both thousands of years ago and also a week ago when I was at the second workshop of the year-long training, Initiation – Into the sacred feminine.

Grandmother touches the stars

It felt right not to include words in these pieces. The visual images remain free to shift from ancient times to the present and back again. This was also a relaxing change after the recent poetry-writing challenge of NaPoWriMo.

I’m so thankful to Misty for taking a moment of adventure into new territory and turning it into a themed exploration. It encouraged me to delve a little deeper than I might have done if I was just playing around with ideas on my own. And I loved all our exchanges about what we were discovering as the week progressed.

I’m now venturing back into the full range of colours. But I’m bringing a few things with me from my sojourn in prehistoric art: a new appreciation for earthy tones, a sense of the timeless quality of visual language, and an awareness that my own experience can connect me to a collective experience, thousands of years old. I look forward to seeing how all this translates into the forthcoming pages of my art journal!

Birth Story

It’s turning out to be an interesting season at Get Messy this time round! During the last season – The Season of Art 101 – I followed many of the prompts and tutorials, and the pages I created were very clearly influenced by these choices. During this season – The Season of Contrast – I have been primarily involved with the NaPoWriMo poetry-writing challenge. So, while I have enjoyed reading the prompts and watching many of the amazing tutorials that are on offer at Get Messy, I haven’t set out to work from many of them directly.

And yet, when I look at the pieces I have created, I can see that they are very much influenced by all I have been absorbing along the way. It’s as if the theme of contrast is working away in my subconscious: here and there, black and white, big and small. It occurs to me that my indirect and oblique way of working this time round is in contrast to my very intentional and directed way of working last season. It would seem that contrasts are everywhere!

This piece came out of an assignment for the Initiation art journaling course with Juliana Coles at The Institute For Extreme Journalism. After yesterday’s piece, Make the sounds, I felt like revisiting the stark black and white together with a limited colour palette.

Friday night in my little boat,
arriving on the shores of this world.

Unless I happen upon a window of opportunity tomorrow, this will probably be my last poem for April. I am heading off on a workshop out of town that will take me through to the start of the merry month of May. What better way to end my NaPoWriMo experience than with a piece about beginnings!

Thank you so much for all the encouragement, enthusiasm and support you have given me over these last few weeks. This has been a new venture – exploring the meeting and merging of poetry and art journaling – and all your likes, comments, and visits to ‘Follow The Brush’ have meant a great deal to me!

Folding the twilight

Hands circling,
gathering the ancient air,
my mother folds the twilight
into night.

* * *

I created the background for this piece during a wonderful online art session this afternoon with some of my friends from Get Messy. Both the colours and the use of Jewish imagery were very much influenced by the paintings of Marc Chagall, whose work I have been reading about in a wonderful little book, Chagall: The Art of Dreams.

When it was time to write the words, I realised that the perfect poem for the piece was, in fact, one I wrote shortly after NaPoWriMo 3 years ago. Despite the fact that the words were not newly composed today, I feel that the combination of text and image has created something completely new!

Travel News

This is the story
of a different kind of cave
hidden in the foothills
of the moon.

* * *

During the course of this NaPoWriMo, without intending to, I’ve developed a method of sorts for creating art journaling poems out of words from the newspaper. It goes something like this:

  1. I create a background or choose one I already have in my journal that I’m drawn to. Usually these backgrounds are inspired by the wealth of tutorials available at the Get Messy community or by the Messy Pages class that I’m currently taking with Tanyalee Kahler (also via Get Messy).
  2. I then reach for a newspaper and cut out any words that catch my attention. This sounds random, but I’m choosing words based on the associations I have already made with the background in question. It may not be a conscious association, but something is working away in my subconscious.
  3. I lay all the words out on the table and start to move them around like jigsaw pieces, making groupings and phrases. I continue to do this until a poem starts to form.

The artwork for this poem emerged from a wonderful acrylic blending tutorial with Tanyalee. It had the feel of outer space or a lunar landscape. I reached for the travel section of the paper and found so many wonderful words, more than I could use today. There may be more travel news in the days to come!

All this time

This spread began a couple of weeks ago as part of an assignment for Initiation, an introduction to art journaling with Juliana Coles at the Institute for Extreme Journalism. We worked layer by layer, each time “messing up” any idea of having reached a destination. Even now, it’s hard to say with confidence that this piece is done! Nevertheless, it feels complete enough for the moment.

To give you an idea of how the piece began – and how far it has travelled – here is the first layer: a fast frenzied attempt to write my name with as many materials and in as many ways as I could imagine.

One of the things that was so much fun about almost completely covering up this layer was the texture of the glued down paper which stood out once paint was applied over it – a textural element that was not so discernible when there was so much visual activity going on.

As with today’s other poem, Talking to my body, the inspiration for the final layers came from the wonderful yoga retreat I have just attended in Herefordshire.

All this time –
the strong steady beat
of my own heart.

It’s that time again!

It’s nearly April and that means it’s nearly time for NaPoWriMo! This is the month where people from all around the world set out to write a poem a day for 30 days. There’s something wonderful about a creative challenge in which so many people from so many countries are involved. All that energy and focus; it’s like being invited to a big party where everyone is celebrating poetry.

This will be my fourth year taking part in the challenge and this time round I’m planning something a little different than what I’ve done before: poetry with an art-journaling twist! As many of you will have gathered, I’m pretty much obsessed with art journaling at the moment. And while I couldn’t imagine missing out on NaPoWriMo, I also couldn’t imagine a whole month without art journaling. This is the story of my life – always branching out in new directions and then wondering how I’m going to piece it all together.

It’s not entirely true to say I’m a stranger to visual poetry. Ever since I began taking part in NaPoWriMo back in 2014, Blackout Poetry has remained one of my favourite poetic forms. In addition to this, during last year’s challenge, I had a great time branching out into comics poetry. I certainly hope that these two forms will play an important part this year. Even so, the bringing together of poetry and art journaling seems to me to be an entirely new combination.

Fortunately, I haven’t had to ponder this dilemma for too long. Just this week, I started the fabulous Messy Pages class with Tanyalee Kahler over at Get Messy. This class is all about creating a multitude of amazing backgrounds and the infinite possibilities that can develop from there. As I began to experiment with acrylic backgrounds – pictured throughout this post – I realised that these would make fantastic backgrounds for the art journaling poems. There’s also a lesson on journaling and scripting – which will be perfect for experimenting with all sorts of ways to include text on the page. Clearly, this class couldn’t have come along at a better time!

Each day during the month of April, I’ll be posting my poems here at Follow the Brush. Hopefully, these backgrounds will be transformed by the addition of this year’s poems into something entirely new.

Wish me luck!

Art and colour open up my world

One of the things I love so much about being part of the Get Messy art community is the feeling of connection with artists all around the world. The forums are alive with conversation – about art tools and resources, what we’re working on, and what we’ve got planned in our creative lives. There is a lovely atmosphere of camaraderie and support – so important when much of the creative work goes on in our own company.

Recently, the feeling of connection has moved to a whole new level. We’ve been meeting up on Google Hangouts for a session of real time art making, otherwise known as the ‘Digi Make-a-thon’. All around the world, we are sitting at our desks and kitchen tables, playing with pens, paint and collage, whilst hanging out with friends we seem to have known forever, even though we’ve never met in “real life”.

This is one of the wonderful things about technology. The sense of being in the same room together was so strong that at one point, when someone couldn’t find their scissors, I nearly passed them my own!

I also really enjoyed not being able to think too much about what I was doing because I was busy talking and interacting. I painted some bright colours on the page, and then started sticking down some toadstools I had drawn a few days earlier. Before I knew it, things got pretty psychedelic which, it turns out, sums up how I feel about the explosion of art and colour that has happened in my life recently!

This was the second Digi Make-a-thon. The spread I made during the first meet-up emerged from the same atmosphere of not thinking too much, all the while talking and enjoying the company of some new and lovely friends.

Working with friends I’ve just met
talking
listening

not really thinking…

I’m so very glad to have stumbled across the Get Messy art journaling community! And I can’t wait for the next time we meet up together!

How will I know?

how-will-i-know

One of the things I’m loving about art journaling is that you don’t need to know where you’re going when you start a page. In fact, it’s often better not to know!

This week I took a wonderful tutorial with Pam Garrison, guest artist of Season of Art 101 at Get Messy. We worked in layers, each seemingly unrelated to the other. At many points I could have stopped, happy with what had been created so far. Pam encouraged us to keep going, just to experience what might happen if we did. Even at the end, after the artwork felt complete, I could have stopped and left the page free of words. Nevertheless, I followed Pam’s advice and continued on. And I’m so glad I did.

how-will-i-know_layer-1

I really enjoyed diving into each stage of the process. Each new layer involved leaving something behind – the page as it had been – and moving forward to what it was becoming.

One of the things I’ve been learning in my exploration of art journaling is that there are different ways to start working on a page. You can come to it with an idea of what it is you’d like to express. This idea then informs the choices and decisions that you make as you start to work. Alternately, you can start with the art materials themselves. Put down some colours and shapes and let them suggest where you might go next. The piece we worked on with Pam was a perfect example of this.

how-will-i-know_layer-2

I’ve also been enjoying the fact that on an art journaling page not everything is shown. Where you start may be completely invisible by the time you reach the end. Words and images may be covered or partially obscured by collage or layers of paint. I was amazed at how much of my earlier layers ended up being hidden in this piece. But the act of obscuring is also one that reveals; this lady only emerged from the page by obscuring large areas of what had come before.

how-will-i-know_without-words

This puts a new slant on the work being process-oriented.

It has taken me a long time to understand the power of the act of turning a thing (- like a comp book -) into a place for an experience…

Lynda Barry, The Best American Comics 2016

Many of the things I wrote, drew, and expressed are hidden beneath the surface – part of the piece and yet submerged. But the fact they’re there makes a difference, a visual reminder of the experience that has happened while making this page.

The self-portraits of ‘Igor Stravinsky’

Self portrait July 25Self portrait July 26

It’s been two weeks since ‘Writing the Unthinkable’ with Lynda Barry. And what an incredible experience it was: 5 days in a room with the rockstar hero of my creative world! Writing, drawing, looking, listening, laughing, crying, and doing it all over again.

Self portrait July 27On the train ride back down the Hudson the day the workshop ended, I felt I was returning home with a sack full of treasure I would be enjoying for a long time to come. Since then, I’ve been wondering how to begin unpacking this treasure.

Like all good stories, why not start at the beginning…

One of the first things we did each day was to ‘take attendance’. We took a blank index card and drew a frame. At the top of the card we wrote our camp name (more on this in a moment!) and the date. We then had 2 minutes to draw a self-portrait, making sure to include the whole body.

Self portrait July 28This was a wonderful start to the day. Before we knew it, our hands were in motion and we were already making contact with ‘the back of the mind’ where all the good stuff is!

The first morning, Lynda invited us to choose a camp name for the duration of the workshop. During lunch I considered all sorts of names, but none of them seemed to fit.

Then I remembered a movie I had seen the week before about Coco Chanel and Igor Stravinsky and I started to laugh out loud in the dining hall. Yes! Igor Stravinsky! That was it! The name was alive. And I felt alive just thinking about it.

At the center of everything we call ‘the arts,’ and children call ‘play,’ is something which seems somehow alive.
― Lynda Barry, What It Is

Self portrait July 29This was one of many such moments during the week when a drawing or a story or a character made me want to laugh or dance or cry with recognition.

Having a camp name was very freeing. It gave me the feeling I could step outside what I normally think I can and can’t do, can and can’t be.

To add to this sense of expanding possibilities, we drew ourselves as fruits and vegetables, royalty, and monsters. We drew ourselves deep beneath the sea, up in outer space, and dancing our asses off at a disco.

We hung our attendance cards on the walls of the workshop room. Pretty soon, the wall was covered with hundreds and hundreds of drawings. The space felt rich and alive and full of energy. Did we really produce all this work? Walking around the space, looking at our gallery of self-portraits, it was incredible to see how the drawings grew even more alive as the week progressed.

IMG_7092IMG_7093

Lynda dared us to find a ‘bad drawing’ among the lot. It wasn’t possible! And during the week we got to see that there’s no such thing as a bad drawing. Here’s a page from Lynda Barry’s Syllabus that asks, ‘What is a bad drawing?’:

what is a bad drawing?

Syllabus is an incredible resource, filled with course notes from years of Lynda Barry’s classes and workshops. Many of the exercises we did during ‘Writing the Unthinkable’ are in there!

Drawing a self-portrait on an index card is a great thing to do before starting any creative work. In fact, its probably a great thing to do before starting anything at all. Why not give it a go?

Targets and teamwork: how to complete a daily writing challenge

NaPoWriMo 2

I am THRILLED to be featured on the Write-Track blog, together with my writing buddy, the fabulous Christine Cochrane! Join us for a conversation about taking part in this year’s NaPoWriMo, including the challenges we faced and how we supported each other along the way. Plus: CARTOONS!

What keeps us going as writers? Staring alone at the blank page doesn’t always work; sometimes it’s about targets and teamwork. Christine Cochrane and Divyam Chaya Bernstein are two writers who recently completed the daily writing challenge NaPoWriMo. They tell us how they supported each other along the way.

Read the full article here: Targets and teamwork: how to complete a daily writing challenge

Austin Kleon on having several passions

Quote

kleon-200pxx1If you have two or three real passions, don’t feel like you have to pick and choose between them. Don’t discard. Keep all your passions in your life. This is something I learned from the playwright Steven Tomlinson. Tomlinson suggests that if you love different things, you just keep spending time with them. “Let them talk to each other. Something will begin to happen.”

Austin Kleon, Steal Like an Artist

The Creative Harlot

For the last few months I have been falling into love with comics. Yet when April comes around I’ll be dancing my way through a month of poetry. What can I say? I’m a creative harlot! This comic explores the anxiety that can arise when shifting from one artistic form to the next.

creative harlot 1

Continue reading

Dancing our way through a month of poetry

napofeature2April is National Poetry Writing Month, AKA NaPoWriMo. Each April, people from all around the world set out to write a poem a day for 30 days. There is something wonderful about a creative challenge in which so many people from so many countries are involved. All that energy and focus; it’s like being invited to a big party where everyone is celebrating poetry. Continue reading

Tim Girvin on scribbling dreams and inspirations

Quote

My sense of the scribbling extends from the idea of reaching into the psyche, letting the lines unfurl in the manner of elastic gestures of opening — to the more long term and meditative examination. That might be in the personal script of your making — the secret code of you.

The journal — that is the journey, that is the hour, that is the life — to be made in

whatever manner

you might make it.

Write, the code, your secret code — now.

– Scribbling dreams and inspirations: Journals as palettes of magic, Tim Girvin

Learning online and in real life

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This week, I started a new online comics course with Matt Silady, called Comics: Art in Relationship. This was great timing as I have been missing the Writing and Drawing Comics class I finished recently with Summer Pierre. I have been missing my wonderful classmates and that sense of being part of a group, watching each other take creative leaps. Continue reading