I have just completed an art journal that I began over a year ago and I have to say: it’s a great feeling! Here is a video flip-thru for you to enjoy.
The Season of Contrast at Get Messy Art Journal is drawing to a close. And what a wonderful season it has been!
Over the course of the last few weeks, I have had all sorts of things going on my life plus I was very much involved with the NaPoWriMo poetry writing challenge. As a result, the season’s theme seemed to be more of a background influence – so much so, that I wondered if I should go ahead and do a round-up post. But here it is! and I’m so glad I decided to review the season, because it has helped me see just how present the theme of contrast has been in my work these past few weeks.
One of the main ways in which contrast appeared in my art was through the portrayal of oppositional forces, such as the young woman facing a traditional man’s world:
‘Can you see my world?’
Continuing the oppositional theme, I also explored contrasts in size, inspired by a wonderful tutorial by Misty Granade:
‘The best warriors I know are on TV’
I had a lot of fun exploring what happens when very different characters come together to work on something:
‘Action Man and Space Woman build a house’
The following piece, exploring two different sides of ourselves, came out of an inspiring prompt by Sasha Zinevych:
‘She’
I loved exploring the stark contrast of black and white. White lettering on a black background was a wonderful way to include text on the page:
‘My heart is a black-tie affair’
Vanessa Oliver Lloyd‘s tutorial on negative space, inspired my approach to creating a piece about inner experience. The invisible reality of the inner experience is rendered more visible as the gold shines out around the outline of my hand. Talking about it now, it sounds like I consciously intended this to happen! But these are not necessarily conscious choices. That’s one of the things I love so much about art journaling: I am presenting deeper, almost dream-like parts of myself to my conscious waking self:
‘Experience’
In ‘Storm’, I’m still with the oppositional forces and the contrast in size. The storm is so big and the figure seems so small. And yet the contrasting materials give the simple black and white figure a clarity as she moves against the complex chaos of the storm, with its clouds of scribbled words and ink drips:
‘Storm’
I loved the contrast of black and white so much, I returned to it later in the season, adding some colour into the mix. I felt the influence of Isabel Greenberg, one of my favourite cartoonists, in ‘Birth story’. Greenberg’s The One Hundred Nights of Hero and The Encyclopedia of Early Earth are both incredible works of visual storytelling and are well worth checking out!
‘Birth story’
I think one of the reasons I enjoyed the black and white images, is because it was easier for me to bring in my love of comics and cartoons:
‘Make the sounds’
One of the wonderful things about following artist friends on Instagram is that there are so many other takes on the theme of contrast. Witnessing all these different journeys alongside my own has made the whole experience so much richer.
Towards the end of the season, Misty Granade and I took a ride into the earthy tones of our paint palettes, and travelled back in time to the prehistoric world of cave paintings. I remember wondering at the time if this was somehow connected to the theme of contrast. I can see now that it most certainly is: the exploration of a whole range of colours that were outside, in contrast to the bright colours that were within my repertoire.
‘Dancing to the moon’
I have also discovered that the exploration of contrasting or oppositional forces can actually serve to bring things closer together. I went back to prehistoric times so that I can be here today with an understanding that is rooted in something deep and ancient. I used the earthy tones in my palette so that I can return to the bright colours with a new depth.
‘The ancient ones’
It’s interesting that the images from the end of the season were all ones of integration, a bringing together, as if all the different parts of myself were invited to the party. Time to celebrate!
It has been a truly wonderful season at Get Messy. I am amazed at how much exploration can happen in the space of a few weeks. There is a short break now between seasons, a welcome time for reflecting on all the ground we have covered in recent weeks, and also a chance to catch up on any of the tutorials and prompts we didn’t get to the first time round.
Soon a new season will be beginning. I wonder what the theme will be next time? I can’t wait to find out. Perhaps some of you will join me there?
Hands circling,
gathering the ancient air,
my mother folds the twilight
into night.
* * *
I created the background for this piece during a wonderful online art session this afternoon with some of my friends from Get Messy. Both the colours and the use of Jewish imagery were very much influenced by the paintings of Marc Chagall, whose work I have been reading about in a wonderful little book, Chagall: The Art of Dreams.
When it was time to write the words, I realised that the perfect poem for the piece was, in fact, one I wrote shortly after NaPoWriMo 3 years ago. Despite the fact that the words were not newly composed today, I feel that the combination of text and image has created something completely new!
This is the story
of a different kind of cave
hidden in the foothills
of the moon.
* * *
During the course of this NaPoWriMo, without intending to, I’ve developed a method of sorts for creating art journaling poems out of words from the newspaper. It goes something like this:
The artwork for this poem emerged from a wonderful acrylic blending tutorial with Tanyalee. It had the feel of outer space or a lunar landscape. I reached for the travel section of the paper and found so many wonderful words, more than I could use today. There may be more travel news in the days to come!
She is up there on the hill,
clearing a path through the wild summer grass,
making a nest for the little bird.
She would like to meet herself
one morning.
She has sent an invitation.
In winter, she removes her own skin,
makes broth from her bones,
dances naked by the fire.
She will be the death
and the birth
of me.
* * *
Today’s poem was inspired by a wonderful prompt from Sasha Zeen as part of the Season of Contrast over at Get Messy. I used a background I had already prepared for NaPoWriMo from the inspirational Messy Pages class with Tanyalee Kahler.
Take a holiday from the world of data.
You will immediately cause less hysteria
and unleash more pleasure.
You may not come back.
This piece* is influenced by the Season of Contrast that’s taking place at Get Messy right now. What happens when two seemingly opposite characters get together to work on something? Can each see and value the other’s qualities?
*Is this a visual poem? A comic or a comics poem? An art journaling spread? A movie poster? No one can say for sure!!!
My heart is a black tie affair.
Fine crystal tinkles
as I waltz across the floor.
I will find the long dress
that came to me
when my mother broke.
It’s hard to look good
when you’re shaking.
What shoes do you wear?
* * *
Today’s prompt on the NaPoWriMo website was all about things lost and found. When I sat down to write, I couldn’t remember having lost that many things. But the list of things I’ve given away over the years (and now wish I still had) is a long one. It was out of this space that today’s poem emerged.
The visuals of this piece were very much influenced by the Season of Contrast that is going on at Get Messy at the moment. I really enjoyed sticking with the starkness of black and white. I think this may be my most minimal art journaling spread yet!
Today I sat down to work on a poem and this happened instead. I can’t claim it’s a poem but I can’t claim that it’s not, either! This poem/art journaling journey is taking on a life of its own.
This piece began life as a longer poem (see below) and ended up as something more closely resembling a surreal 1950s advert. What can I say? The creative process is mysterious…
* * *
Laundry day
I carry the dirty rags down
with planks and bags
bought long ago
when we sunbathed naked.
Our wash contains no grass,
no plants, no eucalyptus trees.
There’s nothing worse
than bark peeling off in the machine.
There’s a lot of water in the end.
This isn’t efficient
but the clothes emerge
soft and beautiful as a willow.
When the buzzer goes
it can be very disturbing –
paws raised, saws ready,
I am big enough to hold it.
I carry the neighbours
back up the stairs in baskets
and hang them
on the rail in my bedroom.
The garden men,
chipped away by night,
keep watch over foxes
and cats in the coat cupboard.
Storm.
Treading water in the too much world,
an ember of my heart is optimistic.
She tells me,
despite the relentless weather,
it matters.
* * *
Today’s poem is inspired by the Season of Contrast which just began today over at Get Messy. The inky drips background and scribbled handwriting were inspired by @tanyaleekahler ‘s awesome Messy Pages class. This was my first time using high flow acrylics and I can now safely say that I’m hooked on these wonderful paints!
Jewel
Your deeper brain
has the intelligence
of a mythological creature –
neon curves in full bloom,
explosion of lines at sunrise.
Disappear within its mysterious dance.
Today’s poem was made using words cut out from a newspaper and one of the Neocolor backgrounds I made in Tanyalee Khaler’s Messy Pages class. Here’s a glimpse of the original background:
I’m posting this poem after midnight. But it’s still April 2nd somewhere!
Step Right Up
(A Sad Circus Tale)
Sold by her mother
to an acrobatic clown,
the scarred town,
stray dog
solitude
of her fluid fingers
evoke the night cries
of the high-wire.
It is a brilliant circus skill
to overcome
one’s memories
until tomorrow.
* * *
Step right up! Step right up! NaPoWriMo has officially begun! Behold all manner of poetic marvels!
I had so much fun with today’s poem: I took the piece of newspaper I had been using as scrap beneath my paints yesterday and chose the first article I saw as material for a blackout poem. Fortunately for me, the article in question was about a circus show, complete with fabulous photograph of an accordion-playing fool on a unicycle.
I chose one of the backgrounds I had prepared during Tanyalee Khaler’s wonderful Messy Pages class, stuck down my bits of newspaper and went on from there: gesso, circus fonts, bicycle stamps and silver stars. I knew things were getting pretty out of hand when I started adding glitter. Today is officially the first day I have ever added glitter to a poem.
Just to give you an idea of how far an art journaling page can travel from start to finish, here’s a glimpse of the original background:
If today’s experience is anything to go by, the combination of poetry and art journaling opens up a whole new array of possibilities. I’m so excited to see what the rest of this month will bring!
